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I wanted to perpetuate a residue of a nonrenewable natural resource such as oil, in art. Making a symbiosis of the perishable with the immortal that is the painting.I seek to convey the effort often invisible and unrecognized. Suddenly immortalize the operating personnel of a factory that performs physical and strong work, which is developed in the oil field. And not only in the Bolivian context but an international one.These industrial landscapes are made of hot paint, such as oil cuts that come out as waste from different operational activities.